Tag Archive for 'Mainz'

Historical Perspectives: Heinrich Anton Hoffmann

Heinrich Anton Hoffmann, German violin virtuoso and conductor, b. 1770 in Mainz. Hoffmann read law and philosophy at the University there. Following his father’s death at the outbreak of the Revolutionary Wars, he fell on hard times. Hoffman chose a musical career and became chamber musician at the Court of the Prince-Elector, the Archbishop of Mainz. He stayed there until the siege of Mainz forced him to relocate, first to Aschaffenburg and later to Frankfurt, where he took up a post as violinist at the Stadttheater. From 1801 until 1819, he rose from the rank of Correpetitor and Concert Master to Vice Director of Music and finally Director of Music and Co-director of Theatre. When Guhr was made Kapellmeister in 1821, Hoffmann took the titles of Vice Music Director and First Violinist. He retired in 1835 and continued to compose until his death in 1842. Among Hoffmann’s published works are six String Quartets, two Violin Concertos, a Concertante for two Violins, 12 Lieder with piano accompaniment and Duos for Violin and Violoncello, all works of outstanding quality.

—Source: Musikalisches Conversations-Lexikon: An Encyclopedia of All Musical Sciences for the Educated of All Classes, edited and published by Hermann Mendel, Berlin 1875 (transl.)

Audio excerpt — Heinrich Hoffmann

Allegro con brio from Deux Duos pour Violon et Violoncelle
dédiés à Messieurs les Frères Romberg op. 6

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Heinrich Anton Hoffmann (1770-1842)

Heinrich Anton Hoffmann was born 1770 in Mainz. Around 1790, he joined the orchestra at the Court of the Prince-Elector, the Archbishop of Mainz, then under the direction of Vincenzo Righini. After the conquest of Mainz in 1792, the Royal household relocated to Aschaffenburg. Hoffmann left the Court Orchestra in 1799 and joined the Frankfurt Theatre Orchestra. Around that time he began to perform as a soloist, with great success. In June 1806, his publisher André wrote that he would prefer to publish his latest Violin Concerto instead of the agreed Duo and a pair of Symphonies. In 1811, Hoffmann was appointed concert master at the Frankfurt Orchestra. From 1817 to 1835, he was Vice-Kapellmeister and from 1819-1821 Music Director at Frankfurt’s Stadttheater.

Among his published works are vocal music with political character (Lobgesang an die Retter Deutschlands, Kantate für gemischten Chor und Orchester, Sechs Gesänge für Freimaurer), piano music, six String Quartets and two Violin Concertos. Contrary to the wishes of his publisher, Hoffmann decided not to put in print more Symphonies and Concertos but concentrated on writing Duos for Violin and Violoncello, ten of which were published. The excellent quality of Hoffmann’s works did not prevent their fall into obscurity.

Audio excerpt — Heinrich Anton Hoffmann

Allegro con brio from Deux Duos pour Violon et Violoncelle
dédiés à Messieurs les Frères Romberg op. 6

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.